Este un meci de ranchiună scandinavă la Crash Course Theatre. Ne uităm la câteva dintre mișcările cheie din teatrul european care au influențat profund teatrul modern de astăzi. Vom arunca o privire atentă la doi dintre cei mai radicali și mai influenți dramaturgi europeni ai secolului al XIX-lea, care tocmai s-au întâmplat să fie dușmani de moarte. Henrik Ibsen din Norvegia și suedezul August Strindberg au remodelat teatrul, între crize de ură reciproc.
Crash Course este pe Patreon! Ne puteți susține direct înregistrându-vă la http://www.patreon.com/crashcourse
Mulțumim următorilor Patroni pentru contribuțiile lor lunare generoase care ajută la menținerea Crash Course gratuită pentru toată lumea pentru totdeauna:
Mark Brouwer, Kenneth F Penttinen, Trevin Beattie, Satya Ridhima Parvathaneni, Erika & Alexa Saur, Glenn Elliott, Justin Zingsheim, Jessica Wode, Eric Prestemon, Kathrin Benoit, Tom Trval, Jason Saslow, Nathan Taylor, Brian Thomas Gossett, Khaled El Shalakany , Indika Siriwardena, SR Foxley, Sam Ferguson, Yasenia Cruz, Eric Koslow, Caleb Weeks, DA Noe, Shawn Arnold, Malcolm Callis, Advait Shinde, William McGraw, Andrei Krishkevich, Rachel Bright, Mayumi Maeda, Kathy & Tim Philip, Jirat, Ian Dundore
—
Doriți să găsiți Crash Course în altă parte pe internet?
Facebook – http://www.facebook.com/YouTubeCrashCourse
Twitter – http://www.twitter.com/TheCrashCourse
Tumblr – http://thecrashcourse.tumblr.com
Curs intensiv de asistență pe Patreon: http://patreon.com/crashcourse
CC Copii: http://www.youtube.com/crashcoursekids
Like, I get the sentiment, but could you please relax and stop caring this much about being seen as a Woman Respector? chill, it’s embarrassing to watch.
These should have so many more likes and views. Awesome work, as always!!
It's surprising you didn't talk more about the immense importance of "An Enemy of the People", which is a huge championing of individualism, or individual responsibility, and the possible destructiveness of herd mentality on the herd itself.
from now on im calling my period my 'monthly indisposition' 10:42
You won’t hear “Bourgeois” this much again til Crash Course Revolutions
Krogstad is the one that gave her the loan, it’s a lot more complex than how you described a dolls house
In a way, Strindberg was thinking in a typically Scandinavian way when he explained the tragic outcomes. His oversensitive psychological explanations are typical Scandinavian, and surprizingly more in Norway than in Sweden, even at these days. Ibsen was in some ways more Italian like than Scandinavian and he lived for a long time in Italy too.
This is a delight! My students better love this or they will lose me forever!